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Kanō Masanobu
was the chief painter of the Ashikaga shogunate and is generally considered the founder of the Kanō school of painting which is the most influential in Japanese history with a 400-year dominance that is peerless in world history (citation needed). Kano Masanobu specialized in Zen paintings as well as elaborate paintings of Buddhist deities and Bodhisattvas.〔(Metropolitan Museum of Art )〕
== Life and work ==
Masanobu's father had been a samurai and amateur artist named Kanō Kagenobu. Masanobu would start the line of professional artists of the family. As an artist Masanobu, like many in his day, was influenced by the priest-painter Tenshō Shūbun, and some sources indicate that he may have received the bulk of his artistic education under Shubun. Masanobu worked in the ''suiboku'' style, derived from Chinese painting, but added a Japanese touch to the style with more defined forms. Very few of his works survive with ''Zhou Maoshu Appreciating Lotuses'' being an exception.〔(''The Art and Architecture of Japan'' ), edited by Robert Treat Paine and Alexander Coburn Soper, pp 177–180 and 205〕
Kanō Masanobu would serve the Muromachi government as an official painter (御用絵師, ''goyō eshi''), succeeding Sōtan to the post. Although Masanobu's father was samurai the family was provincial and therefore he did not have rank at court. Instead of rank he had gained his position in service due to a mix of achievement and social capital. This led to some criticism as aristocrat Shūzan Tōki expressed disdain toward Masanobu stating he was not a "born court painter."〔(The Practices of Painting in Japan, 1475–1500 by Quitman E. Phillips )〕
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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